Morally Offensive

Beyond the Valley of the Dolls (1970) is an X-rated studio film written by Roger Ebert, directed by Russ Meyer, and still more culturally radioactive than most modern movies. So we had to talk about it.
This week on Morally Offensive, the ex-Catholic hosts are joined by Matt Harding of Severin Films to dig into Meyer’s psychedelic cult classic and its strange place in American film history. We unpack Roger Ebert’s involvement in the script, Russ Meyer’s obsession with buxom women, and how that fixation shaped both the visual language and politics of his films.
We get into the feminist debates around Meyer’s work, the film’s relationship to 60s counterculture, and the way Beyond the Valley of the Dolls became a cultural reference point for everything from Sublime lyrics to Austin Powers parody. We also go on a side quest through Catholic film criticism, breaking down a period review that condemned this movie while praising the morality of Seven Brides for Seven Brothers, which somehow manages to be more disturbing in its own way.
If you’re into film history, cult cinema, Catholic moral panic, and movies that make everyone uncomfortable for different reasons, this episode lives right in that space.
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This week on Morally Offensive, Bill and Kevin dig into the origins and impact of John Waters’ Pink Flamingos. The crew is joined by Bryan Wendorf of the Chicago Underground Film Festival and Thomas Bottoms of Bottoms of the Barrel to trace Waters’ early years making films in Baltimore, from DIY shorts and church-basement screenings to cultivating an audience far outside the mainstream.
We break down the production of Pink Flamingos, the creation of Divine as a transgressive screen icon, and how the film’s deliberate provocation helped spark outrage, fascination, and the rise of the midnight movie phenomenon. Along the way, we discuss censorship, exhibition, and why Waters’ brand of bad taste proved so culturally disruptive, and so enduring. 
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In this Christmas episode of Morally Offensive, Jess and Bill take a deep dive into Black Christmas (1974), the landmark horror film that helped define the slasher genre several years before Halloween. Joining them is Professor Eric D. Wesselmann, who brings an academic lens to Bob Clark’s deeply unsettling and surprisingly nuanced film.
The conversation covers the film’s complex female characters, the origins of the “the call is coming from inside the house” trope, and how Roe v. Wade and second-wave feminism shaped the movie’s themes and cultural reception. 
A holiday episode about horror, depictions of disability on film, the evolution of women's rights, and why Black Christmas remains one of the most influential films of the 1970s.

This week on Morally Offensive, everybody's talking (okay its just Kevin and Bill) with singer/songwriter (and former film student) Stefanie Joyce about the ONLY X-Rated Film to win Best Picture, Midnight Cowboy. The film features a young Jon Voight as an aspiring sex worker who runs from his past in a small Texas town, toward the bright city lights of Broadway and 42nd St. While unsuccessfully attempting to get into the game, he runs into Ratso Rizzo (a young Dustin Hoffman), a small-time hustler who gets by on petty theft and squating in an abandoned apartment building.
The crew uncovers the shocking facts surrounding the film being screened at an international Cahtolic Film Festival, while simultanesouly receiving an A-IV rating (Adults with Reservations - so, not QUITE "C" or "O" - our bad). Diversions including pocketing cold cuts at swanky parties, Meat-and-Threes, Flannery O'Connor, Baby Bob Balaban, and the ongoing debate about THAT scene.
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Bill and Stephanie sit down with Thomas Negovan to discuss the restoration of Caligula: The Ultimate Cut and how he and an editor pieced the film back together. Thomas explains how they uncovered hours of never-before-seen footage and used it to assemble a version of Caligula that reflects what was originally filmed, offering a clearer look at the movie’s intended narrative.
The episode also explores Bob Guccione’s controversial attempt to reshape Caligula in the edit, the bizarre choice to make an additional R-rated release, and of course the Catholic Reviews from the time. The crew gets into film restoration, the lost footage, and how a movie’s meaning changes depending on who controls the final cut.
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Warning: This episode covers an actual adult movie, and contains discussions about graphic sexual topics.
In this episode of Morally Offensive, the first in our "X-Rated" series, we explore the cultural earthquake sparked by the 1972 film Deep Throat with special guest Mark Covino, director of the award-winning documentary A Band Called Death. We dive into the rise of 1970s “porn chic,” the collapse of the Hays Code, the creation of the X-rating, and how a low-budget film became a mainstream phenomenon seen by public figures like Jackie Onassis and Truman Capote.
We also examine the Catholic response to the mainstreaming of adult media during a period already shaped by Watergate-era anxiety. This includes a look at the Catechism’s teachings on sexual ethics—especially the debates around oral sex, where Catholics, theologians, and commentators often share conflicting interpretations.
Plus, Mark shares personal stories about his father’s life as a celebrity ski instructor and his appearance in an early project by horror icons Sean Cunningham and Wes Craven. If you're interested in film history, 1970s culture, Catholic commentary, or the intersections of media, morality, and censorship, this episode has it all.
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Topics: X-rating, Catholicism, Ex-Catholics, Watergate, Deep Throat, Scandal, Linda Lovelace, 1970s, Indie Film, Guilt, Sex Ed, Porn Chic, Hollywood, Times Square, Comedy
 

Stephanie and Bill head on up to the lab, to see what's on the slab...and it turns out it's The Rocky Horror Picture Show (celebrating it's 50th anniversary!), a cult classic that started as rebellion and transformed into a midnight movie ritual. With special guest props expert and technical theatre professional Jeffrey Rockey, they dig into the history of the movie that became a cultural touchstone, especially for Catholic school kids who found they didn't quite fit in.
Jeff talks coming out, Bill shares the story of how he originated the first stage role of the Captain of the Edmund Fitzgerald, and Stephanie recounts the experience of getting into Rocky Horror as a young Jewish woman. They also revisit Richard O’Brien’s problematic remarks, the Catholic media’s moral outrage, and the often-forgotten sequel Shock Treatment.
It’s a science fiction double feature of faith, fishnets, and the strange comfort of finding community in the most “morally offensive” places.
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Topics: Rocky Horror, Rocky Horror Show, The Rocky Horror Picture Show, LGBT issues, Catholic School, Catholic upbringing, Ex-Catholic stories, Tim Curry, Susan Sarandon, Midnight Movies, Cult Films, Cinema, Theatre, Musicals, Halloween, Science Fiction, Horror, Lou Adler
 

In this episode of Morally Offensive, we revisit the 1995 cult classic Mortal Kombat, the movie that brought video game violence, bad CGI, and 90s martial arts chaos to the big screen. We dig into Catholic reviews of the film, including one that blames stuffed-crust pizza and child day planners for the future downfall of civilization.
We talk about the movie, it's place in 90s pop culture, our mutual experiences with the game series, the panic surrounding video game violence, the mammoth status of its CD soundtrack, a brief history of Belgium New Beat, and a tangent about the Wisdom Tree Christian NES Videogame knockoffs, including the classic convert-the-heathens-by-throwing-fruit Zelda ripoff, Spiritual Warfare.
Our guest is Aaron (aka @DivineGamerArma on Twitch), who joins us to talk video game morality, cinematic sin, and the theology of terrible movies.
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Topics: Mortal Kombat movie review, Catholic pop culture criticism, 90s video games, bad CGI, Hong Kong action, ex-Catholic commentary, media moral panic, Belgium new beat

Bill and Stephanie are joined by film scholar Christopher Hoppe to unlock Sergio Martino’s Your Vice Is a Locked Room and Only I Have the Key (1972), a cornerstone of Giallo cinema, laced with gothic unease, which explores the cultural anxieties of 1970s Italy. The film follows a washed-up writer, his abused wife, and the arrival of his seductive niece, as secrets, betrayals, and murders spiral inside (and outside) a crumbling villa. Lurking over it all is the ghostly presence of the writer’s domineering mother, and watching with uncanny menace is the family’s black cat named (yes, really)...Satan.
Together, they trace how Italian Catholic film critics responded to the film, celebrate Edwige Fenech’s rise as a scream queen, and untangle Martino’s twisted adaptation of Poe’s The Black Cat. Along the way, Stephanie recounts her own chaotic Roman car ride with Martino, and the hosts dig into Italy’s sordid legal history, including the now-abolished “rehabilitating marriage” law that once allowed men accused of sexual assault to escape punishment by marrying their victims.
It’s a conversation of black gloves, black cats, household murder weapons, and only we have the key.
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This week, Bill and Stephanie drag Atlanta filmmaker Nicole Kemper into the delivery room to talk David Cronenberg’s The Brood (1979), a horror movie which doubles as the world’s worst sex-ed film. We’re talking cinematic birth control, belly-buttonless mutant murder children, slutty vintage men's bathrobes, and why men are absolutely terrified of the female body. Diversions include Oliver Reed's drunken shenanigans, an attempted cult kidnapping, the Canadian public's outrage over finding out their tax dollars were financing gorey art, and, of course, we read another Catholic review which completely disregards the artistic merits and possibilities of the horror genre. This is definitely an episode to listen to if you're still comtemplating bringing children into a violent world which is on fire. For us, the Brood proved to be far more effective than abstinence-only sex education.
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